INDEX – 1
|
SR. No |
NAME OF THE AUTHOR |
TITLE OF THE RESEARCH PAPER |
PAGE |
|
| 1 | A. JOSEPH LOURDU RAJAH | Teaching And Learning – Strategies To Empower The Slow Learners | 1 – 6 | |
| 2 | ABDULLAHI KADIR AYINDE | The Short Story And Dynamic Of Social Change In Northern Nigeria: Auwalu Hamza Yusuf As A Social Critic And Moralist | 7 – 15 | |
| 3 | AMINA IBRAHIM ABUBAKAR | Literature, Culture And Gender: A Look At The Role Of Gender In Hausa Traditionaloral Folktales | 16 – 29 | |
| 4 | ANAND B. BODHALE & DR. RAJESH KARANKAL |
Critical Perspectives On Multiple Exploitation And Abuse Of Dalit Female Characters In Sharan Kumar Limbale's The Outcaste | 30 – 37 | |
| 5 | ANJALI PATIL-GAIKWAD | The Economics Of Marginalization | 38 – 45 | |
| 6 | ANOJ KUMAR | Social Protest In The Poetry Of Faiz Ahmed | 46 – 54 | |
| 7 | ANUPAMA. A | Neo Colonialism : Some Thoughts And Concerns | 55 – 64 | |
| 8 | APARA TIWARI | Recounting Tribal Life Along Narmada Valley: An Artist's Insight | 65 – 73 |
8_Aparna_Tiwari
|
| 9 | ARCHANA DEVENDRA JOSHI | Aspect Of Social Exclusion, Psychological And Social Dynamics In Anita Desai Cry, The Peacock And Where Shall We Go This Summer | 74 – 80 | |
| 10 | ATTADEEPA MAURYA | Durrani's My Feudal Lord – A Voice Of Resistance And Identity | 81 – 86 | |
| 11 | AYESHA .F. BASIT | Nazir Ahemad's Novels: A Study Of Oriental Culture | 87 – 90 | |
| 12 | BARNALI CHETIA | Language Contact In Indian Media -A Sociolinguistic Study | 91 – 104 | |
| 13 | BEAUTY YADAV | India Writes In English: A Quest For Local And Localisation In Literature | 105 – 114 | |
| 14 | BHARATI SHRIVASTAVA | Feminism : One Aspect Of Fourth World Literature & Culture | 115 – 127 | |
| 15 | CHANDAN MISHRA | The Satirical Element In The Environmental And Dystopian Fiction Of Ben Elton: This Other Eden (Novel-1993) | 128 – 133 | |
| 16 | DEEPANJALI MISHRA | Feminist Stance In The Movies Of Madhur Bhandarkar: A Study With Special Reference To Fashion And Corporate | 134 – 141 | |
| 17 | DIBAKARA BHOI | Concerning Violence' In 'Things Fall Apart' And 'Paraja' | 142 – 146 | |
| 18 | GAWTHAM JYOTHSNA G. J | The Truth That Well Up From The Grave: An Analysis Of Stanley Kubrick's 'The Shining' (1980), As An Instrument To Express Resistance Towards The Western Supremacy Over The Natives. | 147 – 154 | |
| 19 | GITANJALI SINGH | The Novels Of Marguerite Duras And Their Cinematographic Version: Towards A Feminine Perspective | 155 – 160 | |
| 20 | HEMANGI BHAGWAT | Marathi Theatre: An Expression Of Social Protest | 161 – 167 | |
| 21 | I. SUHENYA | Culture And Body Language -Decoding Non-Verbal Communication | 168 – 176 | |
| 22 | JOSEPH MARIA KUMAR ADDAGATLA | Chitra Defeats Arjuna With The Weapon Of Love And Beauty | 177 – 183 | |
| 23 | K.MALLAREDDY | Separate Telangana Statehood Movement In Linguistic, Literary And Cultural Context | 184 -190 | |
| 24 | KAFEEL AHMED CHOUDHURY | Beyond The Third World Margins: A Study Of The Nomadic Bede People Living In Assam | 191 -198 | |
| 25 | KALAPALA KALPANA RANI | Quest For Identity: An Exploration Of Myths And Symbols In Chinua Achebe's Novels | 199 – 204 | |
| 26 | KAVITHA SATHASIVAM | Plosive Sounds In Jaffna Spoken Tamil | 205 – 208 |
26_Kavita_Sathasivam
|
| 27 | KEKA DAS | Teaching And Learning For Empowerment: Empowerment Through Spiritual Renaissance | 209 – 216 | |
| 28 | KHUSHBOO GOKANI | Breaking The Bonds: A Critical Study Of Baby Kamble's The Prisons We Broke | 217 – 223 | |
| 29 | KHUSHBU TREHAN | Regionalization In Alice Munro's Dance Of The Happy Shades | 224 – 229 | |
| 30 | LAXMI DHAR DWIVEDI&M. SENGUTTUVAN | Context In Intercultural Communication: A Study | 230 – 234 | |
| 31 | LAXMIKANT KAPGATE | Impression Of The Nasreen's Lajja, On The Politics Of Bangladesh | 235- 238 | |
| 32 | LEENA SARKAR | R. K. Narayan's Fictions In The Context Of Class Discrimination And Gender Consciousness | 239 – 248 | |
| 33 | MADHURA A. S | An Insight Into A Feminine Identity: A Reading Of Nava Semel's Fiction | 249 – 256 | |
| 34 | MADHUSHRI KALLIMANI | Colonial Absurdism In Chinua Achebe's Things Fall Apart | 257 – 265 | |
| 35 | MAHESH NAIK | Mahasweta Devi And Her Voice | 266 – 271 | |
|
36 |
MARY MOHANTY |
The Bonda Question In Pratibha Ray's 'The Primal Land' |
272 – 280 |
|
|
37 |
MD. JOYNUL ABEDIN |
Literature Representing Fourth World: The Insight Of Fourth World Folks Found In The Padma Boatman By Manik Bandapaddhay |
281 – 287 |
|
|
38 |
MEETU BHATIA KAPUR |
Historical Mapping Of Dislocation And Identity Crisis In The Novel 'The Shadow Lines' |
288 – 293 |
|
|
39 |
DR. ASHOK KHAIRNAR |
Joseph Conrad's Lord Jim: Symbolic Interpretation |
294 – 299 |
|
|
40 |
NALINI MADALA |
Joshua's Humanistic Gabbilam (Bat) – As The Messenger Of The Untouchable |
300 – 308 |
|
|
41 |
NANDKUMAR SURESH SHINDE |
The Image Of Mahatma Gandhi In Hindi Movies |
309 – 315 |
|
|
42 |
NAYANA D. SHARMA |
Endangered & Extinct Languages |
316 – 321 |
|
|
43 |
NEERU SHARMA & SUBAH GAUTAM |
Beyond The Two Genders: The Queer Perspective In Indian Mythology |
322 – 327 |
|
|
44 |
NEHA KHUSHBO |
Lesbian Culture In India |
328 – 336 |
|
|
45 |
NISHA BHAGWAT GOSAVI |
Depiction Of Women In Post Modern Bollywood Movies |
337-341 |
|
|
46 |
P V RAMANATHAN |
Learning And Teaching Languages For Empowerment |
342 – 351 |
|
|
47 |
PATIL PRAVIN RAMRAO & |
Fandry: A Story Of A Denied Hero And Poverty-Stricken Family |
352 – 358 |
|
|
48 |
P. RAVI KUMAR |
A Fourth World Perspective In Kaveri Nambisan’s 'The Truth (Almost) About Bharat' |
359 – 363 |
|
|
49 |
PENGLINGLING |
Culture And Aesthetic: On The Tranditional Martial Art Zhaobao T'ai Chi Chu'uan |
364 – 374 |
|
|
50 |
POORNIMA K B |
The Art Of Indexing In Namita Gokhale's Mountain Echoes (1998) |
375 – 381 |


