Index – 1
|
SR. No |
NAME OF THE AUTHOR |
TITLE OF THE RESEARCH PAPER |
PAGE |
|
| 1 |
ROBERT MASTERSON |
The Crypto-Canon: What Lies Below And What Speaks Beneath |
1-11 |
 |
| 2 |
AMRIT SEN |
Towards Comparative Cultural Studies: Debate And Experiments |
12-22 |
|
| 3 |
FATHIMA M |
Adaptation: An Inevitable Form Of Delusion |
23-30 |
|
| 4 |
DR.PULAKESH GHOSH |
Atwood’s Surfacing And Mehta’s A River Sutra: A Comparative Study |
31-38 |
|
| 5 |
DR. CLARAMMA JOSE |
Re-Presentation Of Myths: A Reading Of Githa Hariharan’s |
39-46 |
|
| 6 |
DR.TASNEEM ZEYA |
Mulk Raj Anand’s Untouchable And Bama’s Sangati: A Comparative Analysis |
47-57 |
|
| 7 |
DR. SUDARSAN SAHOO |
William Shakespeare And August Wilson: A Comparative Study |
58-63 |
|
| 8 |
DR. RADHA S. GAUTAM |
Voicing The Silenced Histories: A Comparative |
64-78 |
|
| 9 |
DR. NEETA PURANIK |
Draupadi’s Invincible Approach: A Voice Of Common Woman |
79-86 |
|
| 10 |
RAJEEV NAIR |
Identity Crisis Of Comparative Literature As An Academic Discipline |
87-95 |
|
| 11 |
DR. HARPREETKAURTUTEJA |
The Emergence Of India As A Global Soft Power In Power Politics |
96-102 |
|
| 12 |
DIPANWITA DASGUPTA |
The Liberal Morality of Mahanirvana Tantra and The Bhadraloks in Nineteenth Century Bengal |
103-110 |
|
| 13 |
GAUTAM KUMAR, PALLAVI RANI, |
Darpan: An Installation Portraying The Culture of Bihar |
111- 121 |
|
| 14 |
DR. DEEPANJALI MISHRA |
Portrayal of Women In Media |
122-128 |
|
| 15 |
INDRAJEE DE ZOYSA |
Deconstructing India Vs Pampering The West: A Re-Reading |
129- 137 |
|
| 16 |
BAISHALI MAJUMDAR |
Wittgenstein’s Philosophy of Language And Religion: A Brief Study |
138- 149 |
|
| 17 |
ASHWIN CHOUHAN |
Portrayal Of Diasporic Dilemma in Bharathi Mukherjee’s Jasmine and Jhumpa Lahiri’s The Namesake: A Comparative Analysis |
150- 155 |
|
| 18 |
DR. MADHURI K. PHULE |
Exploration Of Human Relationships In Nayantara Sahgal’s Storm In Chandigharh And Doris Lessing’s A Proper Marriage |
156-162 |
|
| 19 |
ANAMIKA DAS |
Divide of The Moment – Digital Divide An Obstacle Towards Gaining Cultural Autonomy And Equality |
163-167 |
|
| 20 |
A.F.BASIT |
Rekhta: Unraveling The Beauty Of Urdu Poetry |
168- 172 |
|
| 21 |
TANVEER AHEMAD |
Digital Media And Culture: The Divide Between Traditional And Modern Communication Culture |
173- 191 |
|
| 22 |
DR. PRERNA A. P. SINGH |
Translation As A Gateway To Comparative Study |
192-199 |
|
| 23 |
THONGAM DHANAJIT SINGH |
Behind The Violence: A Literary Reading Of Ethnic Violence in Manipur |
200- 208 |
|
| 24 |
RAJASI RAY |
The Unspoken of : In Dattani’s Do The Needful And Seven Steps Round The Fire |
209-215 |
|
| 25 |
SUJAN MONDAL |
The Cross-Cultural Encounter: Indian Critical Perspective On E.M. Forster’s A Passage To India |
216- 225 |
|
| 26 |
DR. SUPARNA CHAKRABORTI |
Cultural Transportation Through Translation A Translator’s Dilemma |
226- 232 |
|
| 27 |
SUCHETA PRAMOD SHINDE |
Portrayal Of Women in Print And Visual Media For Children In India |
233- 242 |
|
| 28 |
DR. SHIKHA DUTTA |
Comparative Diasporic Literature: South Asian Canadian Male And Female Writing |
243- 252 |
|
| 29 |
SOLMAZ NOURZADEH TORKDEH |
Reusing Of Historical Materials In The Tortter- Nama By A. Sealy And A History Of The World In 10½ Chapters By J. Barnes |
253- 261 |
|
| 30 |
SNEHA BURDE |
The Quest for Self-Discovery: The Present and The Self Ricocheting Between Past and Future |
262-269 |
|
| 31 |
SHWETA SINGH |
Cultural Dislocation And Identity Crisis In Jhumpa Lahiri And Bharati Mukherjee |
270-274 |
|
| 32 |
SRIKANTH. S |
A Comparative Study Of Kamala Das And Taslima Nasrin As Confessional Poets |
275-282 |
|
| 33 |
ISHITA DAVE, |
Resolving The Situation In Kurdistan: Setting A Precedent For |
283- 292 |
|
| 34 |
MOHAMMAD SHAHID, UDAYA KUMAR DHARMALINGAM, MRIGANKA MADHUKAILYA |
Abhikshna’ Reality & Illusion: A Comparative Cultural Study Of Bihar & Uttar Pradesh |
293-301 |
|
| 35 |
SAYAN DEY |
Commercializing And Politicizing Dharma: A Neo-Puritanical Approach Through Rajkumar Hirani’s Pk |
302- 310 |
|
|
36 |
SAVITA YADAV |
Cross-Cultural Analysis of Mistress of Spices |
311- 318 |
|
|
37 |
KASUN GAJASINGHE, |
Critiquing The “Rationale” Of “Aggrandizing” English In The Contemporary ESl Classroom In Sri Lankan Universities |
319-327 |
|
|
38 |
SANGITA PATIL, |
Chitra Banerjee Divakaruni’s ‘The Bats’ And ‘The Disappearance’: A Study In Contrast |
328-334 |
|
|
39 |
SADASHIV KALYAN |
The Portrayal of India As Nation in Crisis in Anandmath |
335-339 |
|
|
40 |
DR. ROHINI ARYA |
Transnational Identity In Bharti Kirchner’s ‘Shiva Dancing’ |
340- 346 |
|
|
41 |
DR. MADHAV HANDE |
Interaction between Literature and other Arts |
347-349 |
|
|
42 |
DR. S. VALLIAMMAI |
Realism And Social Concern: A Comparative Study Of A. J. Cronin’s The Citadel And N. A. Parthasarathy’s Sathyavellam |
350- 355 |
|
|
43 |
VASUDHA GORE |
Contribution Of Translators To Spread The ‘Light Of Indian Spirituality’ |
356-363 |
|
|
44 |
DR. PUNAM C. SHARMA |
Undoing The ‘Us- Them’ Colonialism: A Comparative Study Of Maria Campbell’s Half-Breed And Sally Morgan’s My Place |
364-374 |
|
|
45 |
PREETI SINGH, |
Carnivalesque and Dialogism in the plays of Vijay Tendulkar |
375-379 |
|
|
46 |
DR. PRATIMA P. MALWADKAR |
Second Language Acquisition: ‘Acquisition Of Auxiliaries: Do-Support And Be-Inversion In Question Formation By Marathi Speaking Children Learning English As A L2’ |
380-390 |
|
|
47 |
DR. S.V. DEOGIRKAR |
Power And Advertisements A Foucauldian Observation |
391-400 |
|
|
48 |
MADESWARAN |
Portrayal Of Stress Resistant Personalities: A Comparative Study In Tone Morrison’s Home And Michael Ondaatje’s The English Patient |
401-407 |
|
|
49 |
PINAKI ROY |
Expatriated Union: Hemingway’s Fiesta And Appleton And Burnett’s Everybody Comes To Rick’s In Literature And Film |
408-415 |
|
|
50 |
P.M. JAYAWEERA |
Patriarchal Power Struggles Enacted Through The Sexualized (White) Female Body: A Review Of Doris Lessing’s The Grass Is Singing |
416-421 |
|