SR. NO. |
NAME OF THE AUTHOR |
TITLE OF THE RESEARCH PAPER |
PAGE |
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1. |
Abhisek Ghosal |
INDIAN AESTHETIC INTERVENTIONS INTO FREUDIAN “UNCANNY”: AN INVESTIGATION |
1-9 |
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2. |
Anum Khalfay |
IMPACT OF ISLAM ON VARIOUS ART FORMS FROM THE MEDIEVAL TO THE POST MODERN ERA |
10- 17 |
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3. |
Chetan Sonawane |
TRIBAL HISTORY AS OTHER HISTORY: A READING OF MAHASWETA DEVI’S CHOTTI MUNDA AND HIS ARROW |
18- 26 |
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4. |
Diptirekha Das
|
PUBERTY RITUAL AMONG WOMEN IN ASSAMESE SOCIETY: |
27- 37 |
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5. |
Jigyasa Hasija |
MODIFYING THE TIMELESS: “SLEEPING BEAUTY”, MALEFICENT & ECOFEMINISM |
38-44 |
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6. |
Khushboo Gokani |
RELIGION AS A GUIDING FORCE IN THE SELECTED NOVELS OF EVELYN WAUGH |
45- 49 |
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7. |
Kuldeep Mathur |
UNCANNY TIDES AND SUBJUGATION OF CULTURE IN THE HUNGRY TIDE |
50- 59 |
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8. |
Lucy Marium Samuel
|
BETWEEN ACTION AND INACTION: A PSYCHOANALYTIC READING OF F.SIONIL JOSE’S MY BROTHER, MY EXECUTIONER
|
60- 66 |
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9. |
Mitali Bhattacharya |
MYTHOLOGY AND LITERATURE THROUGH A READING OF THREE MYTHS |
67-73 |
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10. |
Neha Chatterjee |
INTERFACE BETWEEN SOCIETY AND FREUDIAN “UNCANNY”: |
74 – 81 |
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11. |
Priyam Francis |
TERRORISM, RELIGION AND LITERATURE |
82 – 95 |
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12. |
Priyanka Sharma |
RELIGION AND NATURE IN AMITAV GHOSH’S SEA OF POPPIES |
96 – 99 |
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13. |
Rajeev Nair |
LITERATURE AS THE MEDIUM TO NURTURE WORLD CITIZENSHIP |
100- 108 |
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14. |
Rekha Kumari |
LITERATURE AND GANDHISM: A STUDY OF THE NARAYANPUR INCIDENT |
109-114 |
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15. |
Niloy Mukherjee Rhiddhi Saha |
THE INDIA OF THE KASHMIRI OTHER CONCEPTUALIZING INDIA THROUGH THE LENSES OF BOLLYWOOD AND ETHNONATIONALISM
|
115- 123 |
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16. |
Rini Reba Mathew |
EXTRACTING STRENGTH FROM WAR: READING WAR AS |
124- 129 |
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17. |
Reeti Pandya
|
THE UNFOLDING OF KALIDASA’S KUMARSAMBHAVAM: A QUEST FOR PSYCHO-SOCIAL IDENTITY |
130- 135 |
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18. |
Rukmani Sharma |
INFLUENCING DEVELOPMENT OF PERSONALITY THROUGH BIRTH RITUAL: A STUDY AMONG BENGALI COMMUNITY |
136 -143 |
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19. |
Saksheena Mohammed |
TREATMENT OF SUB – CREATION: A MYTHOPOEIC READING |
144- 152 |
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20. |
Sangeeta Shyam |
LIFE AND CULTURE OF THE BAIGA TRIBE IN THE WRITINGS
|
153- 164 |
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21. |
Sarita Kumari
|
KARNAD’S YAYATI: A RECAST OF MYTH SUITING MODERN SENSIBILITIES |
165-169 |
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22. |
K. Syamala |
GENDER, RELIGION AND LITERATURE: A SPECIAL REFERENCE TO FEW TELUGU WOMEN POETS OF EARLY 20TH CENTURY |
170- 182 |
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23. |
Sneh Shakti
|
RELIGION, FAMILY AND CONJUGALITY AMONG THE MIDDLE |
183-190 |
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24. |
Sophia Lisam
|
THE CHANGING PERCEPTION OF MEITEI MARRIAGE RITUALS: |
191- 201 |
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25. |
Sucheta Patil Pradnya Ghorpade |
DEMONSTRATION OF MASTER-SLAVE RELATIONS IN ANDRE BRINK’S THE RIGHTS OF DESIRE |
202-208 |
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26. |
Deepika Kakade
|
THE PROTEST FOR WOMEN’S LIBERATION IN THE ESSAY “COMPULSORY HETEROSEXUALITY AND LESBIAN EXISTENCE” BY ADRIENNE RICH |
209- 218 |
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27. |
Uttam Patil |
ARUN KOLATKAR’S ‘WOMAN’: AN IRONIC PORTRAYAL |
219- 225 |
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28. |
Monisha Saxena
|
BROTHERS IN ARMS IN ‘TRAIN TO PAKISTAN’ |
226- 234 |
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29. |
Afsal Ahammed Kizhakkayil |
THE CHARACTERISTICS OF THE MAHMOUD DARWISH POETRY |
235-241 |
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30. |
Akanksha Agrawal
|
ANIMAL SACRIFICE THROUGH THE GLASSES OF INDIRA GOSWAMI |
242-250 |
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31. |
Anand Hipparkar |
MASSES ON MIGRATION: SUBALTERN COSMOPOLITANISMIN THE NOVELS OF AMITAV GHOSH |
251-258 |
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32. |
Anjitha Gopi |
NATIVE STORIES – THE WEAPON AND THE REMEDY: ILLUSTRATING THE POWER OF STORIES THROUGH DEBORAH MIRANDA’S |
259-263 |
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33. |
Dr. Apara Tiwar |
BIG SCREEN UNIVERSALITY IN TEACHER-TAUGHT THEMES |
264-281 |
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34. |
Arshiya Nagappa Gowda |
GENDER DISPARITIES AMONG MUSLIM COMMUNITY AS PER THE READING OF SARA ABOOBAKKAR’S NOVELS |
282-290 |
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35. |
Aryika Paul |
GENDER ISSUES IN THE PLAYS OF MAHESH DATTANI |
291-298 |
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36. |
Ashok Chikte
|
RACE, RACISM AND RACIAL HERITAGE REFLECTED IN BOOKER T. WASHINGTON’S UP FROM SLAVERY AND BARACK OBAMA’S DREAMS FROM MY FATHER: A COMPARISON |
299-302 |
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37. |
Asmita Badhe |
MARGINALIZATION OF FEMALE PROTAGONIST IN VIJAY TENDULKAR’S SILENCE! THE COURT IS IN SESSION |
303-309 |
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38. |
Atul Suryawanshi |
PSYCHO-ANALYTICAL STUDY OF DAVID LURIE IN J. M. COETZEE’S DISGRACE |
310- 319 |
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39. |
Dr. Mohammad Hadi Jahandideh |
ISOLATION VERSUS SALVATION THEMATIC STUDY OF PAUL AUSTER’S TIMBUKTU |
320-329 |
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40. |
Dr. Bhavana Mukutrao Patil |
GLOBALIZATION AND LINGUISTIC CHALLENGES |
330-335 |
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41. |
Bidya Singh Chandramani |
THE JOURNEY TO THE HEART: A CRITICAL STUDY OF J.M. COETZEE’S DISGRACE IN TERMS OF RACIAL DESOLATION |
336- 346 |
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42. |
Robab Adamzadeh
|
BUILDING A CULTURE OF HOPE: REFERENCE TO AUSTER’S HAND TO MOUTH |
347-353 |
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43. |
Dr. D. N. More |
EXISTENTIALISM IN BOOKER T. WASHINGTON’S UP FROM SLAVERY: A REALISTIC PERSPECTIVE |
354-357 |
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44. |
Dr. Bibhudatta Dash |
GEOGRAPHICAL DISPLACEMENT, DISTANCE, AND DIFFERENCES: |
358-363 |
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45. |
Dr. Jyoti Patil |
INDIAN ENGLISH PULP FICTION IN PRESENT PERSPECTIVE: A SMART BALANCE OF COMMERCIAL POPULARITY AND LITERARY STANDARDS |
364- 366 |
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46. |
Dr. Elangbam Hemanta Singh |
TRANSLATION ACTIVITY AND CULTURAL INTEGRATION |
367-375 |
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47. |
Fariba Jafari |
WESTERNIZATION IMPACT ON IRANIAN CULTURE IN ZOYA PIRZAD NOVEL: THINGS WE LEFT UNSAID |
376-386 |
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48. |
G.Manivannan Dr.C.Govindaraj |
SOCIO-CULTURAL AND POLITICAL ACTIVISM IN |
387-391 |
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49. |
GawthamJyothsna Dr Nagya Naik |
A CLOCK WORK ORANGE : AN UNAUTHENTIC NARRATION, DEPICTING THE TWISTED FACETS OF A CONDITIONAL SOCIETY |
391-397 |
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50. |
Dr. Harish. G. Tapadia |
DOMESTIC VIOLENCE IN TENNESSEE WILLIAMS’S A STREETCAR NAMED DESIRE AND VIJAY TENDULKAR’S SAKHARAM BINDER: A COMPARATIVE STUDY |
398-409 |
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51. |
Hemlata Maharshi |
THE GHOSTLY PRESENCE: A JUSTIFICATION OF SUPERNATURALISM IN TONI MORRISON’S BELOVED |
410-419 |
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52. |
Parag Nema |
WOMAN AS SCAPEGOAT IN TENDULKAR’S GHASIRAM KOTWAL AND SAKHARAM BINDER |
420-430 |
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53. |
Dr. G.D.Ingale |
MADNESS AND KING LEAR |
431-436 |
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54. |
Jayantkumar K. Vadhadiya |
ENGLISH AS AN INTERNATIONAL LANGUAGE |
437-444 |
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55. |
Joyce Gulab Rodney |
GLOBALIZATION IN MILTON’S PARADISE LOST WITH CONTEXT TO THE BIBLE |
445-450 |
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56. |
Dr. Jyothishree Kamat |
ENGLISH LANGUAGE CURRICULUM DEVELOPMENT BY CBCS… |
451-455 |
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57. |
Jyoti Jaiswal |
ETHICAL GRAY AREAS AND IMPLICATIONS: THEORIES AND |
456-468 |
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58. |
Jyoti Mishra |
GOD IN HOLLYWOOD: EXPLORING AMERICAN CULTURAL |
469-483 |
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59. |
K Prabha |
REGIONAL ASPECTS IN THE NOVELS OF S.N.PENDSE |
484-490 |
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60. |
Kirtikumar R.Pimpliskar |
REGIONAL ASPECTS IN THE NOVELS OF S.N.PENDSE |
491-495 |
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61. |
Mahadev Mokashi |
THE THEORY OF EMOTIONS IN DALIT WOMEN |
496-503 |
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62. |
Dr. Maloshi Choudhury |
ORUNODOI: THE RISING OF THE SUN IN ASSAM |
504-509 |
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63. |
Manjula. M Dr. C. Govindaraj |
CROSS-CULTURAL COMMUNICATION IN SELECT NOVELS OF AMY TAN WITH ALLUSION TO HOFSTEDE’S THEORY |
510-514 |
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64. |
Mantha Padmabandhavi Prakashrao |
THE PERSPECTIVE OF ECOCENTRISM AND ANTHROPOCENTRISM IN THE ALCHEMIST |
515-521 |
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65. |
Marjana Mukherjee Dr. Joydeep Banerjee |
TERRORISM AND ISLAM: A POLITICAL PROPAGANDA |
522- 528 |
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66. |
Maulasab A. Makandar |
ORHAN PAMUK’S MY NAME IS RED: AN AMALGAM OF PERSPECTIVES |
529- 533 |
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67. |
Md. Joynul Abedin |
IDENTITY & PERSONAL FREEDOM IN A CAPITALIST SOCIETY: |
534-540 |
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68. |
Dr. Neha Bobde Gadekar |
GLOBALIZATION FAIL – BARRIERS TO FREE |
541-554 |
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69. |
Nivitha Mavuluri |
THE LEGITMATION OF PREJUDICE |
555-559 |
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70. |
Dr. Prabhanjan Mane |
KAZUO ISHIGURO’S THE REMAINS OF THE DAY: |
560-568 |
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71. |
Pratibha |
MIGRATION AND MODERNITY IN AUTOBIOGRAPICAL NARRATIVES BY DALIT WOMEN |
569-574 |
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72 |
Dr. Pravinkumar Namdeo Rathod |
THE THEME OF CONVENTION AND REBELLION IN CARYL CHURCHILL’S PLAYS |
575- 580 |
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73. |
Preeti Choudhary |
MODERNIST APPROACH ADOPTED BY KAMALA MARKANDAYA IN NARRATIVE STYLE OF HER FICTION |
581-586 |
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74. |
R. S. Solanke |
A COMPARATIVE STUDY OF THESHORT FICTIONS OF PHILIP ROTH’S THE BREASTAND O.V. VIJAYAN’S THE WART |
587-592 |
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75. |
Dr. Rajendrakumar B. Chougule |
ARIDITY OF LIFE REFLECTED IN ARUN KOLATKAR’s JEJURI |
593-599 |
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76. |
Rakesh Desai |
NARMAD’S DANDIYO: COMMUNITY AND CANON FORMATIONS |
600-611 |
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77. |
Rashmi Borah |
MODERNIZATION AND ASSAMESE CULTURE |
612-619 |
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78. |
Reshmi Limboo |
CONTINUITY AND CHANGE IN CULTURAL IDENTITIES OF LIMBOO TRIBES OF SIKKIM |
620-628 |
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79. |
Dr. Reshu Singh |
BREAKING THE MOULD: A STUDY OF AN AUTOBIOGRAPHY OF |
629-634 |
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80. |
Rochna Roy |
CHITRA BANERJEE DIVAKARUNI: A DESIRE TO COMMUNICATE |
635- 644 |
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81. |
Santhosh Saldanha |
GENDER AND SEXUALITY IN THE TEACHER TRAINING CURRICULUM |
645-652 |
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82. |
Dr. Santosh N. Salunke |
IMAGINATION OF HOME IN THE DIASPORIC LITERATURE |
653-656 |
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83. |
Sarika Misra |
GENDER AND SUBALTERNITY IN SELECT SHORT |
657-664 |
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84. |
Dr. Shaikh Ajaz Perveen |
CULTURAL DISCOURSE IN ANITA DESAI’S IN CUSTODY |
665-668 |
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85. |
Shreya Dutta |
CULTURAL CONFLICT AND POST-COLONIAL CLASS CONTEXT: |
669-675 |
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86. |
Shuaibu Ramat Sule |
WOMEN, MARRIAGE AND RELIGION IN SACRED APPLES OF ABUBAKAR GIMBA |
676-686 |
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87. |
Smita Dhantal |
WOMEN CHARACTERS IN THE SELECT PLAYS OF GIRISH KARNAD AND VIJAY TENDULKAR |
687-694 |
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88. |
Sonal Sharma |
READING ‘BIRDS OF PASSAGE’ FROM ROHINTON MISTRY’S TALES FROMFIROZSHABAAGH |
695-702 |
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89. |
Sucheth P. R. |
PROBLEMATISATION OF ETHNICITY IN INDIAN NOVELS IN ENGLISH IN THE ERA OF TRANSNATIONALISM |
703-711 |
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90. |
Suvarna Jayant Abhyankar |
ASHWIN SANGHI’S ‘THEOLOGICAL THRILLERS’: A NEW DIRECTION TOWARDS ELITIZING THE POPULAR FICTION |
712-721 |
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91. |
Urouj |
FOREGROUNDING THE BACKGROUND OF POSTCOLONIAL THEORY |
722-729 |
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92. |
Ms.Vaidehi Hariyani |
THE FORCED EMBODIMENT OF PERFECT WOMEN: SITA (A STUDY OF SITA’S CHARACTER WITH REFERENCE TO VALMIKI’S RAMAYANA, TULSIDAS’S RAMCHARITMANAS AND AMISH TRIPATHI’S SITA: THE WARRIOR) |
730-735 |
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93. |
Vasudeo Manohar Athalye |
CONSUMERIST PURSUIT TURNS SPIRITUAL ‘SEARCH’: A RE-READING OF J. KRISHNAMURTI’S ‘THE SEARCH’ |
736- 746 |
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94. |
Dr.Yeddu Vijaya Babu |
ENHANCING ACADEMIC READING SKILLS FOR UG ENGINEERING STUDENTS IN THE ESL CONTEXT: A STUDY |
747-756 |
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95. |
Priyanka Mishra |
INDIAN DANCING ARTS: CHANGING THE NORMS |
757-764 |
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96. |
Dr. Smita R Deshmukh |
IMPACT OF GLOBALIZATION ON STATUS OF WOMEN IN INDIAN CULTURE |
765-775 |
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97. |
Dr. Isha Bhatt |
COLOR AND CULTURE |
776- 782 |
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98. |
Chaani Srivastava |
DOES TECHNOLOGY HELP OR HARM POLITICS? |
783-795 |
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99 |
Rajiv Kamble |
PROBLEMATIZING THE CULTURAL IDENTITIES IN MARGARET LAURENCE’S THIS SIDE JORDAN |
796-805 | Download |
100 | Rakesh Desai |
NARMAD’S DANDIYO: COMMUNITY AND CANON FORMATIONS |
806-817 | Download |
101 | Dr. Narendra Pathak |
A BLACK GIRL’S QUEST FOR WHITE VALUES IN TONI MORRISON’S ‘THE BLUEST EYE’ |
818-822 | Download |
102 |
Dr. Beena V. Rathi |
GLOBALISATION:IT AND EDUCATION |
823-827 | Download |
103 |
Dr.Sandhya Tiwari |
INCULCATING CONVERSATIONAL SKILLS FOR ENHANCING COMMUNICATION COMPETENCE |
828-837 | Download |
104 |
Dr. Anil Katte |
PORTRAYAL OF INDIAN WOMEN ININDIAN THEATRE |
838-842 | Download |
105 |
Tapashi Mazumdar |
THE USE OF IMPORTANT ASPECTS OF THE CIRCLE OF REASON NOVEL BY AMITAV GHOSH | 843-849 | Download |
106 |
Dr. Mangesh Madhukar Gore |
IMPLICATIONS OF TRIBAL LITERATURE |
850-855 | Download |
107 |
Debajyoti Biswas Sanjukta Chatterjee |
HIS PEOPLE’S VOICE: BHUPEN HAZARIKA AND HIS BALLADS OF CHANGE | 856-862 | Download |
108 |
P.Rajisha Menon |
CRITICAL APPRECIATION OF THE CHARACTERS OF LORD OF THE FLIES |
863-869 | Download |
109 |
Dr. Sudhir Nikam |
TRADITION AND MODERNITY IN BHABANI BHATTACHARYA’S MUSIC FOR MOHINI | 870-879 | Download |
110 |
Dr. Madhavi Nikam |
INTRICACIES OF HUMAN LIFE IN SHASHI DESHPANDE’S MOVING ON |
880-890 | Download |
111 |
Dr. Ashok Khairnar |
BHILORI FOLK LITERATURE: REFLECTION OF BHIL LIFE OF NANDURBAR DISTRICT | 891-897 | Download |
112 |
Mahesh Madhukar Nivargi |
EXTENDED GESTATION AND MIRACULOUS BIRTH IN IBONIA, THE EPIC OF MADAGASCAR |
898-906 | Download |
An Education Society registered under -
Government of India's Societies Registration Act 1860 (Maha/651/2013/Thane)
and a Trust registered under Bombay Trusts Act 1950 (AF/27205/Thane)
An Education Society registered under -
Government of India's Societies Registration Act 1860 (Maha/651/2013/Thane)
and a Trust registered under Bombay Trusts Act 1950 (AF/27205/Thane)