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SR. NO.
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NAME OF THE AUTHOR
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TITLE OF THE RESEARCH PAPER
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PAGE
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DOWNLOAD
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1.
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Abhisek Ghosal
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INDIAN AESTHETIC INTERVENTIONS INTO FREUDIAN “UNCANNY”: AN INVESTIGATION
|
1-9
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|
|
2.
|
Anum Khalfay
|
IMPACT OF ISLAM ON VARIOUS ART FORMS FROM THE MEDIEVAL TO THE POST MODERN ERA
|
10- 17
|
|
|
3.
|
Chetan Sonawane
|
TRIBAL HISTORY AS OTHER HISTORY: A READING OF MAHASWETA DEVI’S CHOTTI MUNDA AND HIS ARROW
|
18- 26
|
|
|
4.
|
Diptirekha Das
|
PUBERTY RITUAL AMONG WOMEN IN ASSAMESE SOCIETY:
A SOCIOLOGICAL ANALYSIS
|
27- 37
|
|
|
5.
|
Jigyasa Hasija
|
MODIFYING THE TIMELESS: “SLEEPING BEAUTY”, MALEFICENT & ECOFEMINISM
|
38-44
|
|
|
6.
|
Khushboo Gokani
|
RELIGION AS A GUIDING FORCE IN THE SELECTED NOVELS OF EVELYN WAUGH
|
45- 49
|
|
|
7.
|
Kuldeep Mathur
|
UNCANNY TIDES AND SUBJUGATION OF CULTURE IN THE HUNGRY TIDE
|
50- 59
|
|
|
8.
|
Lucy Marium Samuel
|
BETWEEN ACTION AND INACTION: A PSYCHOANALYTIC READING OF
F.SIONIL JOSE’S MY BROTHER, MY EXECUTIONER
|
60- 66
|
|
|
9.
|
Mitali Bhattacharya
|
MYTHOLOGY AND LITERATURE THROUGH A READING OF THREE MYTHS
|
67-73
|
|
|
10.
|
Neha Chatterjee
|
INTERFACE BETWEEN SOCIETY AND FREUDIAN “UNCANNY”:
A READING OF PATRICK SUSKIND’S PERFUME: THE STORY OF A MURDERER
|
74 – 81
|
|
|
11.
|
Priyam Francis
|
TERRORISM, RELIGION AND LITERATURE
|
82 – 95
|
|
|
12.
|
Priyanka Sharma
|
RELIGION AND NATURE IN AMITAV GHOSH’S SEA OF POPPIES
|
96 – 99
|
|
|
13.
|
Rajeev Nair
|
LITERATURE AS THE MEDIUM TO NURTURE WORLD CITIZENSHIP
FOR PROMOTING PEACE AND MITIGATING WAR
|
100- 108
|
|
|
14.
|
Rekha Kumari
|
LITERATURE AND GANDHISM: A STUDY OF THE NARAYANPUR INCIDENT
|
109-114
|
|
|
15.
|
Niloy Mukherjee
Rhiddhi Saha
|
THE INDIA OF THE KASHMIRI OTHER CONCEPTUALIZING INDIA THROUGH THE LENSES OF BOLLYWOOD AND ETHNONATIONALISM
|
115- 123
|
|
|
16.
|
Rini Reba Mathew
|
EXTRACTING STRENGTH FROM WAR: READING WAR AS
A RELIGION IN “ZLATA’S DIARY”
|
124- 129
|
|
|
17.
|
Reeti Pandya
|
THE UNFOLDING OF KALIDASA’S KUMARSAMBHAVAM:
A QUEST FOR PSYCHO-SOCIAL IDENTITY
|
130- 135
|
|
|
18.
|
Rukmani Sharma
|
INFLUENCING DEVELOPMENT OF PERSONALITY THROUGH BIRTH RITUAL: A STUDY AMONG BENGALI COMMUNITY
|
136 -143
|
|
|
19.
|
Saksheena Mohammed
|
TREATMENT OF SUB – CREATION: A MYTHOPOEIC READING
OF J R RTOLKIEN’S SHORT STORIES
|
144- 152
|
|
|
20.
|
Sangeeta Shyam
|
LIFE AND CULTURE OF THE BAIGA TRIBE IN THE WRITINGS
OF ELWIN WITH ITS MODERN RELEVANCE
|
153- 164
|
|
|
21.
|
Sarita Kumari
|
KARNAD’S YAYATI: A RECAST OF MYTH SUITING MODERN SENSIBILITIES
|
165-169
|
|
|
22.
|
K. Syamala
|
GENDER, RELIGION AND LITERATURE: A SPECIAL REFERENCE TO FEW TELUGU WOMEN POETS OF EARLY 20TH CENTURY
|
170- 182
|
|
|
23.
|
Sneh Shakti
|
RELIGION, FAMILY AND CONJUGALITY AMONG THE MIDDLE
CLASS URBAN HINDUS OF NORTH INDIA
|
183-190
|
|
|
24.
|
Sophia Lisam
|
THE CHANGING PERCEPTION OF MEITEI MARRIAGE RITUALS:
A CASE STUDY ON THE PERCEPTION OF MEITEI WOMEN IN DELHI
|
191- 201
|
|
|
25.
|
Sucheta Patil
Pradnya Ghorpade
|
DEMONSTRATION OF MASTER-SLAVE RELATIONS IN ANDRE BRINK’S THE RIGHTS OF DESIRE
|
202-208
|
|
|
26.
|
Deepika Kakade
|
THE PROTEST FOR WOMEN’S LIBERATION IN THE ESSAY “COMPULSORY HETEROSEXUALITY AND LESBIAN EXISTENCE” BY ADRIENNE RICH
|
209- 218
|
|
|
27.
|
Uttam Patil
|
ARUN KOLATKAR’S ‘WOMAN’: AN IRONIC PORTRAYAL
|
219- 225
|
|
|
28.
|
Monisha Saxena
|
BROTHERS IN ARMS IN ‘TRAIN TO PAKISTAN’
|
226- 234
|
|
|
29.
|
Afsal Ahammed
Kizhakkayil
|
THE CHARACTERISTICS OF THE MAHMOUD DARWISH POETRY
|
235-241
|
|
|
30.
|
Akanksha Agrawal
|
ANIMAL SACRIFICE THROUGH THE GLASSES OF INDIRA GOSWAMI
|
242-250
|
|
|
31.
|
Anand Hipparkar
|
MASSES ON MIGRATION: SUBALTERN COSMOPOLITANISMIN THE NOVELS OF AMITAV GHOSH
|
251-258
|
|
|
32.
|
Anjitha Gopi
|
NATIVE STORIES – THE WEAPON AND THE REMEDY: ILLUSTRATING THE POWER OF STORIES THROUGH DEBORAH MIRANDA’S
THE BAD INDIANS.
|
259-263
|
|
|
33.
|
Dr. Apara Tiwar
|
BIG SCREEN UNIVERSALITY IN TEACHER-TAUGHT THEMES
|
264-281
|
|
|
34.
|
Arshiya
Nagappa Gowda
|
GENDER DISPARITIES AMONG MUSLIM COMMUNITY AS PER THE READING OF SARA ABOOBAKKAR’S NOVELS
|
282-290
|
|
|
35.
|
Aryika Paul
|
GENDER ISSUES IN THE PLAYS OF MAHESH DATTANI
AND GIRISH KARNAD
|
291-298
|
|
|
36.
|
Ashok Chikte
|
RACE, RACISM AND RACIAL HERITAGE REFLECTED IN BOOKER T. WASHINGTON’S UP FROM SLAVERY AND BARACK OBAMA’S DREAMS FROM MY FATHER: A COMPARISON
|
299-302
|
|
|
37.
|
Asmita Badhe
|
MARGINALIZATION OF FEMALE PROTAGONIST IN VIJAY TENDULKAR’S SILENCE! THE COURT IS IN SESSION
|
303-309
|
|
|
38.
|
Atul Suryawanshi |
PSYCHO-ANALYTICAL STUDY OF DAVID LURIE IN J. M. COETZEE’S DISGRACE
|
310- 319
|
|
|
39.
|
Dr. Mohammad Hadi Jahandideh
|
ISOLATION VERSUS SALVATION THEMATIC STUDY OF PAUL AUSTER’S TIMBUKTU
|
320-329
|
|
|
40.
|
Dr. Bhavana Mukutrao Patil
|
GLOBALIZATION AND LINGUISTIC CHALLENGES
|
330-335
|
|
|
41.
|
Bidya Singh
Chandramani
|
THE JOURNEY TO THE HEART: A CRITICAL STUDY OF J.M. COETZEE’S DISGRACE IN TERMS OF RACIAL DESOLATION
|
336- 346
|
|
|
42.
|
Robab Adamzadeh
|
BUILDING A CULTURE OF HOPE: REFERENCE TO AUSTER’S HAND TO MOUTH |
347-353
|
|
|
43.
|
Dr. D. N. More
|
EXISTENTIALISM IN BOOKER T. WASHINGTON’S UP FROM SLAVERY: A REALISTIC PERSPECTIVE |
354-357
|
|
|
44.
|
Dr. Bibhudatta Dash
|
GEOGRAPHICAL DISPLACEMENT, DISTANCE, AND DIFFERENCES:
THE MIGRANT’S PERSPECTIVE
|
358-363
|
|
|
45.
|
Dr. Jyoti Patil
|
INDIAN ENGLISH PULP FICTION IN PRESENT PERSPECTIVE: A SMART BALANCE OF COMMERCIAL POPULARITY AND LITERARY STANDARDS
|
364- 366
|
|
|
46.
|
Dr. Elangbam Hemanta Singh
|
TRANSLATION ACTIVITY AND CULTURAL INTEGRATION
|
367-375
|
|
|
47.
|
Fariba Jafari
|
WESTERNIZATION IMPACT ON IRANIAN CULTURE IN ZOYA PIRZAD NOVEL: THINGS WE LEFT UNSAID
|
376-386
|
|
|
48.
|
G.Manivannan
Dr.C.Govindaraj
|
SOCIO-CULTURAL AND POLITICAL ACTIVISM IN
DORIS LESSING’S SELECT NOVELS
|
387-391
|
|
|
49.
|
GawthamJyothsna
Dr Nagya Naik
|
A CLOCK WORK ORANGE : AN UNAUTHENTIC NARRATION, DEPICTING THE TWISTED FACETS OF A CONDITIONAL SOCIETY
|
391-397
|
|
|
50.
|
Dr. Harish. G. Tapadia
|
DOMESTIC VIOLENCE IN TENNESSEE WILLIAMS’S A STREETCAR NAMED DESIRE AND VIJAY TENDULKAR’S SAKHARAM BINDER: A COMPARATIVE STUDY
|
398-409
|
|
|
51.
|
Hemlata Maharshi
|
THE GHOSTLY PRESENCE: A JUSTIFICATION OF SUPERNATURALISM IN TONI MORRISON’S BELOVED
|
410-419
|
|
|
52.
|
Parag Nema
|
WOMAN AS SCAPEGOAT IN TENDULKAR’S GHASIRAM KOTWAL AND SAKHARAM BINDER
|
420-430
|
|
|
53.
|
Dr. G.D.Ingale
|
MADNESS AND KING LEAR
|
431-436
|
|
|
54.
|
Jayantkumar K. Vadhadiya
|
ENGLISH AS AN INTERNATIONAL LANGUAGE
|
437-444
|
|
|
55.
|
Joyce Gulab Rodney
|
GLOBALIZATION IN MILTON’S PARADISE LOST WITH CONTEXT TO THE BIBLE
|
445-450
|
|
|
56.
|
Dr. Jyothishree Kamat
|
ENGLISH LANGUAGE CURRICULUM DEVELOPMENT BY CBCS…
|
451-455
|
|
|
57.
|
Jyoti Jaiswal
|
ETHICAL GRAY AREAS AND IMPLICATIONS: THEORIES AND
APPROACHES OF PAST ERA
|
456-468
|
|
|
58.
|
Jyoti Mishra
|
GOD IN HOLLYWOOD: EXPLORING AMERICAN CULTURAL
IMPERIALISM THROUGH POST 9/11 CHRISTIAN MYTHOLOGY BASED FILMS
|
469-483
|
|
|
59.
|
K Prabha
|
REGIONAL ASPECTS IN THE NOVELS OF S.N.PENDSE
|
484-490
|
|
|
60.
|
Kirtikumar R.Pimpliskar
|
REGIONAL ASPECTS IN THE NOVELS OF S.N.PENDSE
|
491-495
|
|
|
61.
|
Mahadev Mokashi
|
THE THEORY OF EMOTIONS IN DALIT WOMEN
AUTOBIOGRAPHIES OF 21ST CENTURY
|
496-503
|
|
|
62.
|
Dr. Maloshi Choudhury
|
ORUNODOI: THE RISING OF THE SUN IN ASSAM
|
504-509
|
|
|
63.
|
Manjula. M
Dr. C. Govindaraj
|
CROSS-CULTURAL COMMUNICATION IN SELECT NOVELS OF AMY TAN WITH ALLUSION TO HOFSTEDE’S THEORY
|
510-514
|
|
|
64.
|
Mantha Padmabandhavi Prakashrao
|
THE PERSPECTIVE OF ECOCENTRISM AND ANTHROPOCENTRISM IN THE ALCHEMIST
|
515-521
|
|
|
65.
|
Marjana Mukherjee
Dr. Joydeep Banerjee
|
TERRORISM AND ISLAM: A POLITICAL PROPAGANDA
|
522- 528
|
|
|
66.
|
Maulasab A. Makandar
|
ORHAN PAMUK’S MY NAME IS RED: AN AMALGAM OF PERSPECTIVES
|
529- 533
|
|
|
67.
|
Md. Joynul Abedin
|
IDENTITY & PERSONAL FREEDOM IN A CAPITALIST SOCIETY:
A STUDY OF O’NEILL’S DESIRE UNDER THE ELMS
|
534-540
|
|
|
68.
|
Dr. Neha Bobde Gadekar
|
GLOBALIZATION FAIL – BARRIERS TO FREE
INTERNATIONAL TRADE
|
541-554
|
|
|
69.
|
Nivitha Mavuluri
|
THE LEGITMATION OF PREJUDICE
|
555-559
|
|
|
70.
|
Dr. Prabhanjan Mane
|
KAZUO ISHIGURO’S THE REMAINS OF THE DAY:
AN ENGLISH NOVEL
|
560-568
|
|
|
71.
|
Pratibha
|
MIGRATION AND MODERNITY IN AUTOBIOGRAPICAL NARRATIVES BY DALIT WOMEN
|
569-574
|
|
|
72
|
Dr. Pravinkumar Namdeo Rathod
|
THE THEME OF CONVENTION AND REBELLION IN CARYL CHURCHILL’S PLAYS
|
575- 580
|
|
|
73.
|
Preeti Choudhary
|
MODERNIST APPROACH ADOPTED BY KAMALA MARKANDAYA IN NARRATIVE STYLE OF HER FICTION
|
581-586
|
|
|
74.
|
R. S. Solanke
|
A COMPARATIVE STUDY OF THESHORT FICTIONS OF PHILIP ROTH’S THE BREASTAND O.V. VIJAYAN’S THE WART |
587-592
|
|
|
75.
|
Dr. Rajendrakumar B. Chougule
|
ARIDITY OF LIFE REFLECTED IN ARUN KOLATKAR’s JEJURI
|
593-599
|
|
|
76.
|
Rakesh Desai
|
NARMAD’S DANDIYO: COMMUNITY AND CANON FORMATIONS
|
600-611
|
|
|
77.
|
Rashmi Borah
|
MODERNIZATION AND ASSAMESE CULTURE
|
612-619
|
|
|
78.
|
Reshmi Limboo
|
CONTINUITY AND CHANGE IN CULTURAL IDENTITIES OF LIMBOO TRIBES OF SIKKIM
|
620-628
|
|
|
79.
|
Dr. Reshu Singh
|
BREAKING THE MOULD: A STUDY OF AN AUTOBIOGRAPHY OF
A TRANSGENDER LAXMI
|
629-634
|
|
|
80.
|
Rochna Roy
|
CHITRA BANERJEE DIVAKARUNI: A DESIRE TO COMMUNICATE
|
635- 644
|
|
|
81.
|
Santhosh Saldanha
|
GENDER AND SEXUALITY IN THE TEACHER TRAINING CURRICULUM
|
645-652
|
|
|
82.
|
Dr. Santosh N. Salunke
|
IMAGINATION OF HOME IN THE DIASPORIC LITERATURE
|
653-656
|
|
|
83.
|
Sarika Misra
|
GENDER AND SUBALTERNITY IN SELECT SHORT
STORIES OF MAHASWETA DEVI
|
657-664
|
|
|
84.
|
Dr. Shaikh Ajaz Perveen
|
CULTURAL DISCOURSE IN ANITA DESAI’S IN CUSTODY
|
665-668
|
|
|
85.
|
Shreya Dutta
|
CULTURAL CONFLICT AND POST-COLONIAL CLASS CONTEXT:
A STUDY OF BUCHI EMCHETA’S THE JOYS OF MOTHERHOOD.
|
669-675
|
|
|
86.
|
Shuaibu Ramat Sule
|
WOMEN, MARRIAGE AND RELIGION IN SACRED APPLES OF ABUBAKAR GIMBA
|
676-686
|
|
|
87.
|
Smita Dhantal
|
WOMEN CHARACTERS IN THE SELECT PLAYS OF GIRISH KARNAD AND VIJAY TENDULKAR
|
687-694
|
|
|
88.
|
Sonal Sharma
|
READING ‘BIRDS OF PASSAGE’ FROM ROHINTON MISTRY’S TALES FROMFIROZSHABAAGH
|
695-702
|
|
|
89.
|
Sucheth P. R.
|
PROBLEMATISATION OF ETHNICITY IN INDIAN NOVELS IN ENGLISH IN THE ERA OF TRANSNATIONALISM
|
703-711
|
|
|
90.
|
Suvarna Jayant Abhyankar
|
ASHWIN SANGHI’S ‘THEOLOGICAL THRILLERS’: A NEW DIRECTION TOWARDS ELITIZING THE POPULAR FICTION
|
712-721
|
|
|
91.
|
Urouj
|
FOREGROUNDING THE BACKGROUND OF POSTCOLONIAL THEORY
|
722-729
|
|
|
92.
|
Ms.Vaidehi Hariyani
|
THE FORCED EMBODIMENT OF PERFECT WOMEN: SITA
(A STUDY OF SITA’S CHARACTER WITH REFERENCE TO VALMIKI’S RAMAYANA, TULSIDAS’S RAMCHARITMANAS AND AMISH TRIPATHI’S SITA: THE WARRIOR)
|
730-735
|
|
|
93.
|
Vasudeo Manohar Athalye
|
CONSUMERIST PURSUIT TURNS SPIRITUAL ‘SEARCH’: A RE-READING OF J. KRISHNAMURTI’S ‘THE SEARCH’
|
736- 746
|
|
|
94.
|
Dr.Yeddu Vijaya Babu
|
ENHANCING ACADEMIC READING SKILLS FOR UG ENGINEERING STUDENTS IN THE ESL CONTEXT: A STUDY
|
747-756
|
|
|
95.
|
Priyanka Mishra
|
INDIAN DANCING ARTS: CHANGING THE NORMS
THROUGH THE TIMES AND PLACES
|
757-764
|
|
|
96.
|
Dr. Smita R Deshmukh
|
IMPACT OF GLOBALIZATION ON STATUS OF WOMEN IN INDIAN CULTURE
|
765-775
|
|
|
97.
|
Dr. Isha Bhatt
|
COLOR AND CULTURE
|
776- 782
|
|
|
98.
|
Chaani Srivastava
|
DOES TECHNOLOGY HELP OR HARM POLITICS?
|
783-795
|
|
| 99 |
Rajiv Kamble
|
PROBLEMATIZING THE CULTURAL IDENTITIES IN MARGARET LAURENCE’S THIS SIDE JORDAN
|
796-805 |
|
| 100 |
Rakesh Desai |
NARMAD’S DANDIYO: COMMUNITY AND CANON FORMATIONS
|
806-817 |
|
| 101 |
Dr. Narendra Pathak |
A BLACK GIRL’S QUEST FOR WHITE VALUES IN TONI MORRISON’S ‘THE BLUEST EYE’
|
818-822 |
|
| 102 |
Dr. Beena V. Rathi
|
GLOBALISATION:IT AND EDUCATION
|
823-827 |
|
| 103 |
Dr.Sandhya Tiwari
|
INCULCATING CONVERSATIONAL SKILLS FOR ENHANCING
COMMUNICATION COMPETENCE |
828-837 |
|
| 104 |
Dr. Anil Katte
|
PORTRAYAL OF INDIAN WOMEN ININDIAN THEATRE
|
838-842 |
|
| 105 |
Tapashi Mazumdar
|
THE USE OF IMPORTANT ASPECTS OF THE CIRCLE OF REASON NOVEL BY AMITAV GHOSH |
843-849 |
|
| 106 |
Dr. Mangesh Madhukar Gore
|
IMPLICATIONS OF TRIBAL LITERATURE
|
850-855 |
|
| 107 |
Debajyoti Biswas
Sanjukta Chatterjee
|
HIS PEOPLE’S VOICE: BHUPEN HAZARIKA AND HIS BALLADS OF CHANGE |
856-862 |
|
| 108 |
P.Rajisha Menon
|
CRITICAL APPRECIATION OF THE CHARACTERS OF LORD OF THE FLIES
|
863-869 |
|
| 109 |
Dr. Sudhir Nikam
|
TRADITION AND MODERNITY IN BHABANI BHATTACHARYA’S MUSIC FOR MOHINI |
870-879 |
|
| 110 |
Dr. Madhavi Nikam
|
INTRICACIES OF HUMAN LIFE IN SHASHI DESHPANDE’S MOVING ON
|
880-890 |
|
| 111 |
Dr. Ashok Khairnar
|
BHILORI FOLK LITERATURE: REFLECTION OF BHIL LIFE OF NANDURBAR DISTRICT |
891-897 |
|
| 112 |
Mahesh Madhukar Nivargi
|
EXTENDED GESTATION AND MIRACULOUS BIRTH IN IBONIA, THE EPIC OF MADAGASCAR
|
898-906 |
|
JHERS APRIL 2021 ISSUE PUBLISHED
VOL- 6 / ISSUE-1 APRIL 2018
SR. NO.
NAME OF THE AUTHOR
TITLE OF THE RESEARCH PAPER
PAGE
DOWNLOAD
1.
Abhisek Ghosal
INDIAN AESTHETIC INTERVENTIONS INTO FREUDIAN “UNCANNY”: AN INVESTIGATION
1-9
2.
Anum Khalfay
IMPACT OF ISLAM ON VARIOUS ART FORMS FROM THE MEDIEVAL TO THE POST MODERN ERA
10- 17
3.
Chetan Sonawane
TRIBAL HISTORY AS OTHER HISTORY: A READING OF MAHASWETA DEVI’S CHOTTI MUNDA AND HIS ARROW
18- 26
4.
Diptirekha Das
PUBERTY RITUAL AMONG WOMEN IN ASSAMESE SOCIETY:
A SOCIOLOGICAL ANALYSIS
27- 37
5.
Jigyasa Hasija
MODIFYING THE TIMELESS: “SLEEPING BEAUTY”, MALEFICENT & ECOFEMINISM
38-44
6.
Khushboo Gokani
RELIGION AS A GUIDING FORCE IN THE SELECTED NOVELS OF EVELYN WAUGH
45- 49
7.
Kuldeep Mathur
UNCANNY TIDES AND SUBJUGATION OF CULTURE IN THE HUNGRY TIDE
50- 59
8.
Lucy Marium Samuel
BETWEEN ACTION AND INACTION: A PSYCHOANALYTIC READING OF
F.SIONIL JOSE’S MY BROTHER, MY EXECUTIONER
60- 66
9.
Mitali Bhattacharya
MYTHOLOGY AND LITERATURE THROUGH A READING OF THREE MYTHS
67-73
10.
Neha Chatterjee
INTERFACE BETWEEN SOCIETY AND FREUDIAN “UNCANNY”:
A READING OF PATRICK SUSKIND’S PERFUME: THE STORY OF A MURDERER
74 – 81
11.
Priyam Francis
TERRORISM, RELIGION AND LITERATURE
82 – 95
12.
Priyanka Sharma
RELIGION AND NATURE IN AMITAV GHOSH’S SEA OF POPPIES
96 – 99
13.
Rajeev Nair
LITERATURE AS THE MEDIUM TO NURTURE WORLD CITIZENSHIP
FOR PROMOTING PEACE AND MITIGATING WAR
100- 108
14.
Rekha Kumari
LITERATURE AND GANDHISM: A STUDY OF THE NARAYANPUR INCIDENT
109-114
15.
Niloy Mukherjee
Rhiddhi Saha
THE INDIA OF THE KASHMIRI OTHER CONCEPTUALIZING INDIA THROUGH THE LENSES OF BOLLYWOOD AND ETHNONATIONALISM
115- 123
16.
Rini Reba Mathew
EXTRACTING STRENGTH FROM WAR: READING WAR AS
A RELIGION IN “ZLATA’S DIARY”
124- 129
17.
Reeti Pandya
THE UNFOLDING OF KALIDASA’S KUMARSAMBHAVAM:
A QUEST FOR PSYCHO-SOCIAL IDENTITY
130- 135
18.
Rukmani Sharma
INFLUENCING DEVELOPMENT OF PERSONALITY THROUGH BIRTH RITUAL: A STUDY AMONG BENGALI COMMUNITY
136 -143
19.
Saksheena Mohammed
TREATMENT OF SUB – CREATION: A MYTHOPOEIC READING
OF J R RTOLKIEN’S SHORT STORIES
144- 152
20.
Sangeeta Shyam
LIFE AND CULTURE OF THE BAIGA TRIBE IN THE WRITINGS
OF ELWIN WITH ITS MODERN RELEVANCE
153- 164
21.
Sarita Kumari
KARNAD’S YAYATI: A RECAST OF MYTH SUITING MODERN SENSIBILITIES
165-169
22.
K. Syamala
GENDER, RELIGION AND LITERATURE: A SPECIAL REFERENCE TO FEW TELUGU WOMEN POETS OF EARLY 20TH CENTURY
170- 182
23.
Sneh Shakti
RELIGION, FAMILY AND CONJUGALITY AMONG THE MIDDLE
CLASS URBAN HINDUS OF NORTH INDIA
183-190
24.
Sophia Lisam
THE CHANGING PERCEPTION OF MEITEI MARRIAGE RITUALS:
A CASE STUDY ON THE PERCEPTION OF MEITEI WOMEN IN DELHI
191- 201
25.
Sucheta Patil
Pradnya Ghorpade
DEMONSTRATION OF MASTER-SLAVE RELATIONS IN ANDRE BRINK’S THE RIGHTS OF DESIRE
202-208
26.
Deepika Kakade
THE PROTEST FOR WOMEN’S LIBERATION IN THE ESSAY “COMPULSORY HETEROSEXUALITY AND LESBIAN EXISTENCE” BY ADRIENNE RICH
209- 218
27.
Uttam Patil
ARUN KOLATKAR’S ‘WOMAN’: AN IRONIC PORTRAYAL
219- 225
28.
Monisha Saxena
BROTHERS IN ARMS IN ‘TRAIN TO PAKISTAN’
226- 234
29.
Afsal Ahammed
Kizhakkayil
THE CHARACTERISTICS OF THE MAHMOUD DARWISH POETRY
235-241
30.
Akanksha Agrawal
ANIMAL SACRIFICE THROUGH THE GLASSES OF INDIRA GOSWAMI
242-250
31.
Anand Hipparkar
MASSES ON MIGRATION: SUBALTERN COSMOPOLITANISMIN THE NOVELS OF AMITAV GHOSH
251-258
32.
Anjitha Gopi
NATIVE STORIES – THE WEAPON AND THE REMEDY: ILLUSTRATING THE POWER OF STORIES THROUGH DEBORAH MIRANDA’S
THE BAD INDIANS.
259-263
33.
Dr. Apara Tiwar
BIG SCREEN UNIVERSALITY IN TEACHER-TAUGHT THEMES
264-281
34.
Arshiya
Nagappa Gowda
GENDER DISPARITIES AMONG MUSLIM COMMUNITY AS PER THE READING OF SARA ABOOBAKKAR’S NOVELS
282-290
35.
Aryika Paul
GENDER ISSUES IN THE PLAYS OF MAHESH DATTANI
AND GIRISH KARNAD
291-298
36.
Ashok Chikte
RACE, RACISM AND RACIAL HERITAGE REFLECTED IN BOOKER T. WASHINGTON’S UP FROM SLAVERY AND BARACK OBAMA’S DREAMS FROM MY FATHER: A COMPARISON
299-302
37.
Asmita Badhe
MARGINALIZATION OF FEMALE PROTAGONIST IN VIJAY TENDULKAR’S SILENCE! THE COURT IS IN SESSION
303-309
38.
PSYCHO-ANALYTICAL STUDY OF DAVID LURIE IN J. M. COETZEE’S DISGRACE
310- 319
39.
Dr. Mohammad Hadi Jahandideh
ISOLATION VERSUS SALVATION THEMATIC STUDY OF PAUL AUSTER’S TIMBUKTU
320-329
40.
Dr. Bhavana Mukutrao Patil
GLOBALIZATION AND LINGUISTIC CHALLENGES
330-335
41.
Bidya Singh
Chandramani
THE JOURNEY TO THE HEART: A CRITICAL STUDY OF J.M. COETZEE’S DISGRACE IN TERMS OF RACIAL DESOLATION
336- 346
42.
Robab Adamzadeh
347-353
43.
Dr. D. N. More
354-357
44.
Dr. Bibhudatta Dash
GEOGRAPHICAL DISPLACEMENT, DISTANCE, AND DIFFERENCES:
THE MIGRANT’S PERSPECTIVE
358-363
45.
Dr. Jyoti Patil
INDIAN ENGLISH PULP FICTION IN PRESENT PERSPECTIVE: A SMART BALANCE OF COMMERCIAL POPULARITY AND LITERARY STANDARDS
364- 366
46.
Dr. Elangbam Hemanta Singh
TRANSLATION ACTIVITY AND CULTURAL INTEGRATION
367-375
47.
Fariba Jafari
WESTERNIZATION IMPACT ON IRANIAN CULTURE IN ZOYA PIRZAD NOVEL: THINGS WE LEFT UNSAID
376-386
48.
G.Manivannan
Dr.C.Govindaraj
SOCIO-CULTURAL AND POLITICAL ACTIVISM IN
DORIS LESSING’S SELECT NOVELS
387-391
49.
GawthamJyothsna
Dr Nagya Naik
A CLOCK WORK ORANGE : AN UNAUTHENTIC NARRATION, DEPICTING THE TWISTED FACETS OF A CONDITIONAL SOCIETY
391-397
50.
Dr. Harish. G. Tapadia
DOMESTIC VIOLENCE IN TENNESSEE WILLIAMS’S A STREETCAR NAMED DESIRE AND VIJAY TENDULKAR’S SAKHARAM BINDER: A COMPARATIVE STUDY
398-409
51.
Hemlata Maharshi
THE GHOSTLY PRESENCE: A JUSTIFICATION OF SUPERNATURALISM IN TONI MORRISON’S BELOVED
410-419
52.
Parag Nema
WOMAN AS SCAPEGOAT IN TENDULKAR’S GHASIRAM KOTWAL AND SAKHARAM BINDER
420-430
53.
Dr. G.D.Ingale
MADNESS AND KING LEAR
431-436
54.
Jayantkumar K. Vadhadiya
ENGLISH AS AN INTERNATIONAL LANGUAGE
437-444
55.
Joyce Gulab Rodney
GLOBALIZATION IN MILTON’S PARADISE LOST WITH CONTEXT TO THE BIBLE
445-450
56.
Dr. Jyothishree Kamat
ENGLISH LANGUAGE CURRICULUM DEVELOPMENT BY CBCS…
451-455
57.
Jyoti Jaiswal
ETHICAL GRAY AREAS AND IMPLICATIONS: THEORIES AND
APPROACHES OF PAST ERA
456-468
58.
Jyoti Mishra
GOD IN HOLLYWOOD: EXPLORING AMERICAN CULTURAL
IMPERIALISM THROUGH POST 9/11 CHRISTIAN MYTHOLOGY BASED FILMS
469-483
59.
K Prabha
REGIONAL ASPECTS IN THE NOVELS OF S.N.PENDSE
484-490
60.
Kirtikumar R.Pimpliskar
REGIONAL ASPECTS IN THE NOVELS OF S.N.PENDSE
491-495
61.
Mahadev Mokashi
THE THEORY OF EMOTIONS IN DALIT WOMEN
AUTOBIOGRAPHIES OF 21ST CENTURY
496-503
62.
Dr. Maloshi Choudhury
ORUNODOI: THE RISING OF THE SUN IN ASSAM
504-509
63.
Manjula. M
Dr. C. Govindaraj
CROSS-CULTURAL COMMUNICATION IN SELECT NOVELS OF AMY TAN WITH ALLUSION TO HOFSTEDE’S THEORY
510-514
64.
Mantha Padmabandhavi Prakashrao
THE PERSPECTIVE OF ECOCENTRISM AND ANTHROPOCENTRISM IN THE ALCHEMIST
515-521
65.
Marjana Mukherjee
Dr. Joydeep Banerjee
TERRORISM AND ISLAM: A POLITICAL PROPAGANDA
522- 528
66.
Maulasab A. Makandar
ORHAN PAMUK’S MY NAME IS RED: AN AMALGAM OF PERSPECTIVES
529- 533
67.
Md. Joynul Abedin
IDENTITY & PERSONAL FREEDOM IN A CAPITALIST SOCIETY:
A STUDY OF O’NEILL’S DESIRE UNDER THE ELMS
534-540
68.
Dr. Neha Bobde Gadekar
GLOBALIZATION FAIL – BARRIERS TO FREE
INTERNATIONAL TRADE
541-554
69.
Nivitha Mavuluri
THE LEGITMATION OF PREJUDICE
555-559
70.
Dr. Prabhanjan Mane
KAZUO ISHIGURO’S THE REMAINS OF THE DAY:
AN ENGLISH NOVEL
560-568
71.
Pratibha
MIGRATION AND MODERNITY IN AUTOBIOGRAPICAL NARRATIVES BY DALIT WOMEN
569-574
72
Dr. Pravinkumar Namdeo Rathod
THE THEME OF CONVENTION AND REBELLION IN CARYL CHURCHILL’S PLAYS
575- 580
73.
Preeti Choudhary
MODERNIST APPROACH ADOPTED BY KAMALA MARKANDAYA IN NARRATIVE STYLE OF HER FICTION
581-586
74.
R. S. Solanke
587-592
75.
Dr. Rajendrakumar B. Chougule
ARIDITY OF LIFE REFLECTED IN ARUN KOLATKAR’s JEJURI
593-599
76.
Rakesh Desai
NARMAD’S DANDIYO: COMMUNITY AND CANON FORMATIONS
600-611
77.
Rashmi Borah
MODERNIZATION AND ASSAMESE CULTURE
612-619
78.
Reshmi Limboo
CONTINUITY AND CHANGE IN CULTURAL IDENTITIES OF LIMBOO TRIBES OF SIKKIM
620-628
79.
Dr. Reshu Singh
BREAKING THE MOULD: A STUDY OF AN AUTOBIOGRAPHY OF
A TRANSGENDER LAXMI
629-634
80.
Rochna Roy
CHITRA BANERJEE DIVAKARUNI: A DESIRE TO COMMUNICATE
635- 644
81.
Santhosh Saldanha
GENDER AND SEXUALITY IN THE TEACHER TRAINING CURRICULUM
645-652
82.
Dr. Santosh N. Salunke
IMAGINATION OF HOME IN THE DIASPORIC LITERATURE
653-656
83.
Sarika Misra
GENDER AND SUBALTERNITY IN SELECT SHORT
STORIES OF MAHASWETA DEVI
657-664
84.
Dr. Shaikh Ajaz Perveen
CULTURAL DISCOURSE IN ANITA DESAI’S IN CUSTODY
665-668
85.
Shreya Dutta
CULTURAL CONFLICT AND POST-COLONIAL CLASS CONTEXT:
A STUDY OF BUCHI EMCHETA’S THE JOYS OF MOTHERHOOD.
669-675
86.
Shuaibu Ramat Sule
WOMEN, MARRIAGE AND RELIGION IN SACRED APPLES OF ABUBAKAR GIMBA
676-686
87.
Smita Dhantal
WOMEN CHARACTERS IN THE SELECT PLAYS OF GIRISH KARNAD AND VIJAY TENDULKAR
687-694
88.
Sonal Sharma
READING ‘BIRDS OF PASSAGE’ FROM ROHINTON MISTRY’S TALES FROMFIROZSHABAAGH
695-702
89.
Sucheth P. R.
PROBLEMATISATION OF ETHNICITY IN INDIAN NOVELS IN ENGLISH IN THE ERA OF TRANSNATIONALISM
703-711
90.
Suvarna Jayant Abhyankar
ASHWIN SANGHI’S ‘THEOLOGICAL THRILLERS’: A NEW DIRECTION TOWARDS ELITIZING THE POPULAR FICTION
712-721
91.
Urouj
FOREGROUNDING THE BACKGROUND OF POSTCOLONIAL THEORY
722-729
92.
Ms.Vaidehi Hariyani
THE FORCED EMBODIMENT OF PERFECT WOMEN: SITA
(A STUDY OF SITA’S CHARACTER WITH REFERENCE TO VALMIKI’S RAMAYANA, TULSIDAS’S RAMCHARITMANAS AND AMISH TRIPATHI’S SITA: THE WARRIOR)
730-735
93.
Vasudeo Manohar Athalye
CONSUMERIST PURSUIT TURNS SPIRITUAL ‘SEARCH’: A RE-READING OF J. KRISHNAMURTI’S ‘THE SEARCH’
736- 746
94.
Dr.Yeddu Vijaya Babu
ENHANCING ACADEMIC READING SKILLS FOR UG ENGINEERING STUDENTS IN THE ESL CONTEXT: A STUDY
747-756
95.
Priyanka Mishra
INDIAN DANCING ARTS: CHANGING THE NORMS
THROUGH THE TIMES AND PLACES
757-764
96.
Dr. Smita R Deshmukh
IMPACT OF GLOBALIZATION ON STATUS OF WOMEN IN INDIAN CULTURE
765-775
97.
Dr. Isha Bhatt
COLOR AND CULTURE
776- 782
98.
Chaani Srivastava
DOES TECHNOLOGY HELP OR HARM POLITICS?
783-795
Rajiv Kamble
PROBLEMATIZING THE CULTURAL IDENTITIES IN MARGARET LAURENCE’S THIS SIDE JORDAN
NARMAD’S DANDIYO: COMMUNITY AND CANON FORMATIONS
A BLACK GIRL’S QUEST FOR WHITE VALUES IN TONI MORRISON’S ‘THE BLUEST EYE’
Dr. Beena V. Rathi
GLOBALISATION:IT AND EDUCATION
Dr.Sandhya Tiwari
COMMUNICATION COMPETENCE
Dr. Anil Katte
PORTRAYAL OF INDIAN WOMEN ININDIAN THEATRE
Tapashi Mazumdar
Dr. Mangesh Madhukar Gore
IMPLICATIONS OF TRIBAL LITERATURE
Debajyoti Biswas
Sanjukta Chatterjee
P.Rajisha Menon
CRITICAL APPRECIATION OF THE CHARACTERS OF LORD OF THE FLIES
Dr. Sudhir Nikam
Dr. Madhavi Nikam
INTRICACIES OF HUMAN LIFE IN SHASHI DESHPANDE’S MOVING ON
Dr. Ashok Khairnar
Mahesh Madhukar Nivargi
EXTENDED GESTATION AND MIRACULOUS BIRTH IN IBONIA, THE EPIC OF MADAGASCAR
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Selon un rapport de l’AARP Public Policy Institute, les consommateurs n’ont tout simplement pas les moyens de payer leurs médicaments sur ordonnance. Le coût des médicaments sur ordonnance est la composante des dépenses de santé qui croît le plus rapidement, ce qui exerce une pression sur les marges des patients hospitalisés dans les systèmes de santé. Si vous décidez de mettre votre remède en ligne, soyez un acheteur avisé et comparez les coûts de commande de médicaments en ligne, par exemple le Prix du Viagra. Avant de payer le médicament, vérifiez s’il existe un programme pour vous aider à payer vos médicaments. Évitez les nouveaux remèdes coûteux et demandez des formes génériques de médicaments dans la mesure du possible. Les médicaments ne sont pas concurrencés par d’autres sociétés pharmaceutiques et le fabricant de médicaments peut contrôler la distribution. Au lieu de payer trop cher vos médicaments, vous pouvez facilement commander des médicaments sur ordonnance en ligne à des prix inférieurs expédiés à votre porte. Il y a des questions de base sur le Prix du Viagra. Bien sûr, il y a aussi d’autres questions importantes.
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Cependant, en considérant cela, vous devriez essayer de saisir des aspects importants.
Quels sont les faits les plus importants dont vous devez vous souvenir lorsque vous allez acheter des médicaments. En règle générale, si vous envisagez d’acheter des médicaments dans des pharmacies en ligne, obtenez toujours une ordonnance écrite en premier. De plus, les médicaments peuvent être dangereux, même lorsqu’ils sont destinés à améliorer notre santé. Tout médicament peut provoquer des effets secondaires. Pour certains patients, les effets secondaires peuvent être réellement graves. Vous pouvez utiliser une liste de contrôle des effets secondaires pour suivre et partager rapidement des informations avec votre médecin. Avant d’acheter le médicament, informez votre médecin si vous êtes allergique à quelque chose. Soit dit en passant, prenez contact avec votre santé et restez en bonne santé pour la vie. Inconditionnellement, les facteurs qui peuvent influencer votre décision peuvent varier. Consultez d’autres articles que nous avons écrits sur les remises seniors. Avec une source réputée, vous obtenez des économies, qui peuvent également être échangées avec une pharmacie en ligne fiable avec une ordonnance valide pour tout médicament.
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